Vishnu Shesha Naag

by Yograj Verma

Oil on Canvas36 (w) × 48 (h) inches

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One-of-a-kind Original

Details of the Work

Size

36 (w) × 48 (h)

About The Artwork

Lord Vishnu reclining on Shesha Naag, the thousand-headed serpent, draws upon one of the most enduring symbols of cosmic balance and divine sustenance in Hindu mythology. Together, Vishnu and Shesha embody the eternal principles of creation, preservation, and dissolution that govern the universe.

Shesha, whose name means "remainder" or "that which remains," is regarded as the primal cosmic serpent, stretching across infinity and symbolizing the unchanging foundation of existence. In many narratives, he floats upon the cosmic ocean, forming a bed for Vishnu, who rests in serene meditation. This eternal repose of Vishnu represents the state of balance before creation begins, where time is stilled, and the cosmos lies dormant within him.

The association between Vishnu and Shesha reflects themes of protection and support. Shesha, born of sage Kashyapa and Kadru, is said to have renounced worldly attachments to serve Vishnu. His thousand hoods are often depicted sheltering the reclining Vishnu, shielding the universe’s preserver from harm.

The mythology of Vishnu and Shesha is intertwined with the cycles of cosmic time. Shesha, often called Ananta, meaning “endless,” represents eternity and the infinite loops of creation and destruction. His coiled body is said to hold the very fabric of the cosmos, balancing it as Vishnu prepares to awaken and manifest the world.

Artist

Yograj Verma

Contemporary Artist

For Yograj Verma, art is an act of faith, a sacred dialogue between the seen and the unseen. Born in Ahmedabad into a home steeped in spiritual storytelling, his earliest memories are of mythological tales passed down in whispers: rich with wonder, gods, and symbolism. These stories sparked a lifelong devotion, evolving from childhood fascination to an artistic language uniquely his own.

A self-taught artist with over four decades of practice, Yograj first found expression illustrating mythological figures in bold, minimal forms. His breakthrough came in the early 1980s, painting 365 forms of Lord Ganesha for Circular Graphic Company — a project that brought him into contact with professionals from the National Institute of Design. The experience sharpened his vision, cementing his commitment to mythological art as a contemporary language of faith.

In 1986, he moved to Delhi, working with agencies like Tara Singh Agency and Edge Communication, eventually founding AAKAR Graphics as a space for creative independence and deeper artistic practice. But throughout, his canvas remained a site of quiet worship.

Yograj’s signature is unmistakable: faceless deities rendered with bold, flat tones. For him, the divine doesn’t require a fixed face. God is presence, not portrait. This intentional abstraction offers viewers a contemplative space to project their own belief, silence, or longing. His compositions don’t simply depict gods; they evoke them.

Today, his paintings stand as contemporary mythologies — where color becomes scripture and form becomes invocation. Collectors and critics alike are drawn to his work for its emotional depth, spiritual resonance, and visual clarity. A blend of modern aesthetics and ancient truth.

Know More

FAQS About Paintings

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The works are usually shipped rolled to avoid damages in transit and to also allow you to choose a frame that fits your vision and space better.

Is the size mentioned apart from the margin for framing, or inclusive of it?

For artwork on canvas shipped rolled, the size of the artwork mentioned excludes the additional margin needed for framing. The artist will also provide the additional margin of canvas that is necessary for stretching and framing.

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You are entitled to return the artwork (in case of damage) within 5 days of receipt and the payment will be refunded to you within 15 days from the date of return.

Care instructions

Acrylic Paintings:

Store paintings in a cool, dry place away from direct sunlight to prevent color fading. Dust gently with a soft, dry cloth or brush to remove surface dirt. Avoid using harsh chemicals or solvents for cleaning, as they may damage the paint. Glass framing is not necessary but can provide added protection. Handle with care to avoid scratching or smudging the surface.

Watercolor Paintings:

Avoid direct exposure to sunlight to prevent fading. Frame under glass with UV protection to shield from dust and moisture. Keep away from humid or damp areas to prevent warping. Handle with clean hands or gloves to avoid smudges and stains. Use acid-free materials for mounting and framing to prevent yellowing over time

Oil Paintings:

Keep away from direct sunlight and extreme temperatures to prevent cracking or fading. Dust regularly with a soft, dry brush or microfiber cloth. Avoid hanging in areas with high humidity to prevent mold growth. Store paintings upright or flat in a stable environment to prevent damage from shifting.

Bronze Sculptures:

Dust regularly with a soft, dry cloth or brush to remove surface dirt. Avoid touching the sculpture with bare hands, as oils from the skin can cause discoloration. Keep away from areas with high humidity or moisture to prevent corrosion. Store in a stable environment to prevent accidental damage or tipping over.

Fiberglass Sculptures:

Clean gently with a soft, damp cloth or sponge to remove dirt and grime. Avoid using abrasive cleaners or scrubbing vigorously, as they may scratch the surface. Protect from prolonged exposure to direct sunlight to prevent fading. Store in a dry, cool place when not on display to prevent warping or damage.

Serigraphs:

When handling serigraphs, ensure your hands are clean and dry to prevent transferring oils or dirt onto the paper. Store serigraphs flat in a cool, dry, and stable environment to prevent warping or damage. Avoid areas prone to high humidity, temperature fluctuations, or direct sunlight. Frame serigraphs using acid-free materials to prevent yellowing or deterioration over time. Use UV-protective glass or acrylic to shield the artwork from harmful sunlight and dust. Dust the surface of the serigraph gently with a soft, dry brush or microfiber cloth. Avoid using water or cleaning solutions directly on the paper to prevent smudging or damage to the print. Hang serigraphs away from direct sunlight and sources of heat to prevent fading. Choose a stable and secure location for display to minimize the risk of accidental damage.

Shipping & logistics

Shipping charges (Original Artworks):

Within India (for Artwork shipped rolled): Free Delivery

Within India (for Artwork shipped stretched, framed, or crated): Additional charges.

International Shipments: Shipping charges on actuals (depending on your location, size, and weight of the shipment) will be added to your purchase.

Shipping Charges (Limited Edition Prints):

Domestic and International Shipments: Free Delivery. Duties if any will be additional and be borne by the customer.

For Indian Shipments, we use DTDC, who has been our reliable partner over the years.

For International shipments we ship via FedEx or DHL who are reliable global partners. Duties if any will be additional and be borne by the customer.

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