The Tree We Return To

Acrylic

The Keeper of Seasons

The Heart of Many Streets

Poolamma

Mixed Media

Krishna - VII

Vishnu Lakshmi - II

Wonders of the Awakened Dream

Acrylic, Mixed Media

Voyage Beyond Boundaries

Oil, Acrylic

Metamorphosis of Sound

Oil, Mixed Media

A Journey through Whimsy

Golden Quiet

They Held the Morning Gently

Acrylic and Charcoal

Fragments of an Inner Universe

Where the Light Becomes Silence - I

The Sun Knew Every Corner

Traces of Another Tomorrow

Village Folk

Limited Edition Serigraph printed in 37 colors on archival paper. This 
serigraph was published in an edition size of 100. This item will be 
shipped unframed, in a roll. The paper size is 60 x 85 inches, image size 
is 52 x 76.5 inches. The print is signed by the artist and comes with a 
certificate of authenticity.

Maa…

Serigraph

Limited Edition Serigraph printed in 48 colors on archival paper. This 
serigraph was published in an edition size of 100. This item will be 
shipped unframed, in a roll. The paper size is 40 x 26 inches, image size 
is 33.50 x 17 inches. The print is signed by the artist and comes with a 
certificate of authenticity.

L'inconnu

Limited Edition Serigraph printed in 66 colors on archival paper. This 
serigraph was published in an edition size of 100. This item will be 
shipped unframed, in a roll. The paper size is 60 x 60 inches, Image size 
is 53 x 53 inches. The print is signed by the artist and comes with a 
certificate of authenticity.

Aavartan

Limited Edition Serigraph printed in 22 colors on archival paper. This 
serigraph was published in an edition size of 140. This item will be 
shipped unframed, in a roll. The paper size is 29.50 x 41 inches and image 
size is 24 x 36.25 inches. The print is signed by the artist and comes with 
a certificate of authenticity.

Zoroastrianism - Theorama

Limited Edition Serigraph printed in 28 colors on archival paper. This 
serigraph was published in an edition size of 125. This item will be 
shipped unframed, in a roll. The paper size is 40 x 96 inches and image 
size is 34.75 x 89.50 inches. The print is signed by the artist and comes 
with a certificate of authenticity.

Mother Teresa by M.F. Husain

Limited Edition Serigraph printed in 26 colors on archival paper. This 
serigraph was published in an edition size of 225. This item will be 
shipped unframed, in a roll. The paper size is 41 x 40 inches and image 
size is 34.75 x 34.75 inches. The print is signed by the artist and comes 
with a certificate of authenticity.

Kerala - II

Limited Edition Serigraph printed in 10 colors on archival paper. This 
serigraph was published in an edition size of 125. This item will be 
shipped unframed, in a roll. The paper size is 21 x 30 inches and image 
size is 18 x 27 inches. The print is signed by the artist and comes with a 
certificate of authenticity.

Kali by M.F. Husain

Limited Edition Serigraph printed in 12 colors on archival paper. This 
serigraph was published in an edition size of 140. This item will be 
shipped unframed, in a roll. The paper size is 41 x 29.50 inches and image 
size is 36 x 24 inches. The print is signed by the artist and comes with a 
certificate of authenticity.

Judaism - Theorama

Islam - Theorama

Limited Edition Serigraph printed in 13 colors on archival paper. This 
serigraph was published in an edition size of 125. This item will be 
shipped unframed, in a roll. The paper size is 40 x 31 inches and image 
size is 33 x 23 inches. The print is signed by the artist and comes with a 
certificate of authenticity.

Horse - IV

Limited Edition Serigraph printed in 8 colors on archival paper. This 
serigraph was published in an edition size of 125. This item will be 
shipped unframed, in a roll. The paper size is 40 x 30 inches and image 
size is 36 x 24 inches. The print is signed by the artist and comes with a 
certificate of authenticity.

Dada Abdul

Limited Edition Serigraph printed in 24 colors on archival paper. This 
serigraph was published in an edition size of 140. This item will be 
shipped unframed, in a roll. The paper size is 29.50 x 41 inches and image 
size is 24 x 36 inches. The print is signed by the artist and comes with a 
certificate of authenticity.

Christianity - Theorama

Limited Edition Serigraph printed in 22 colors on archival paper. This 
serigraph was published in an edition size of 125. This item will be 
shipped unframed, in a roll. The paper size is 30 x 40 inches and image 
size is 23.50 x 35.50 inches. The print is signed by the artist and comes 
with a certificate of authenticity.

Arjun by M.F. Husain

The Many Skies of Shiva

A Moment of Shiva

Between Signal and Silence

Paper

The Quiet We Made

Chapters of Us

The Tree of Remembered Places

A River of Remembered Places

Between Seasons and Stone

The Language of Rooftops

Nandi Bulls - III

Hanuman - VI

Reborn with Buddha

Beyond the Balcony

She, the Living Seed

In Her Silence, Seeds Gather

A Golden Tree in the City’s Silence

Acrylic and Oil

The Quiet I Return To

Here, the spire stands closer, almost within reach, its surface breathing warmth into the morning haze. The city recedes into softened outlines, while the river gathers movement at its edge. Umbrellas tilt like pale moons along the steps. Devotees cluster in quiet rhythms  arriving, pausing, dissolving back into the flow. Smoke, light, and water meet without urgency. Nothing feels staged; everything feels ongoing. The longer you remain, the more the scene shifts from spectacle to stillness, as if the ghat is holding something older than memory, and letting it surface slowly.

Where the Banaras Ghats Remember - IV

The temple rises like a flame held steady against a drifting city. Around it, the river moves in muted greys and softened light, carrying reflections that blur and gather. White umbrellas bloom along the steps, sheltering small moments of prayer, conversation, waiting. The saffron spire does not dominate; it glows quietly, as if warmed from within. Figures come and go, their presence light against the vastness of stone and water. What lingers is not the crowd, but a sense of return as though the ghat itself is remembering each footstep.

Where the Banaras Ghats Remember - III

She emerges from a field of flame and night, poised at the meeting of abundance and intensity. Gold gathers in her open palms and falls in quiet streams, not as spectacle, but as offering. Lotuses lift gently in her upper hands, their pale calm balancing the blaze that surrounds her. The deep blue above feels vast, almost cosmic, while the fire below hums with contained force. She does not appear restless within it. Instead, she sits composed, as if prosperity here is not excess, but a steady flow  luminous, watchful, and unwavering.

Goddess Dhanalakshmi-III

Stillness holds the composition, eyes closed in inward attention. Around the central presence, circular panels unfold like fragments of an ancient manuscript figures in prayer, movement, meditation suspended within fields of indigo and script. They feel less illustrated than remembered, orbiting a silence that does not shift. 

Within the face, saffron warmth meets cool blue, layering myth with lived experience. Nothing gestures outward. The expression remains composed, almost listening. What surrounds it gradually settles inward, as though devotion itself has found a resting place. The unseen here is not distant; it is depth quiet, continuous, and steady.

Center of the Unseen

An Inner Infinite

Krishna does not appear here as a single form, but as a boundless vision unfolding across space. This is the Viswaroopam; the moment where the human gaze meets the infinite. Layers of presence seem to rise and dissolve within him, as if countless worlds are breathing through one body. Light gathers at the center and radiates outward, holding both stillness and movement at once. There is a quiet power in this expansion, not dramatic, but deeply assured. The work invites the viewer to pause, to feel the vastness without needing to understand it, and to carry its calm long after looking away.

Lord Keshav Viswaroopam

This vision feels like a quiet opening, where thought and breath begin to move together. Saraswati appears not as a distant form, but as a living presence that seems to rise from within the space itself weightless, luminous, and still. The surrounding blues and violets flow like a slow current, holding her in a calm, listening world. 

She does not command the scene; she steadies it. Each gesture feels measured, each symbol resting in balance, as though sound, memory, and learning have found a place to pause. Here, silence begins to feel like music, and knowing feels gently close.

Maha Saraswati

A grand form in verdant green cradles a luminous white lotus, its petals reaching upward. Below, a smaller, vibrant figure with a striking red face draws near, its gaze fixed on the bloom, a gesture of profound attention. The larger figure, a presence of quietude, holds within its contours a multitude of smaller, intricately detailed forms, each a world of devotion. These smaller figures, in shades of lime and gold, populate the very being of the main forms, creating a tapestry of reverence. An enveloping orange background, rich with swirling patterns, frames this encounter. The precise black lines define the boundaries, yet allow the inner narratives to unfold. This lord vishnu garuda painting presents a moment less of action and more of sustained presence, a sacred stillness where the offering is both given and received without a single outward motion. What remains is a feeling of being kept, a quietude held within the vibrant hues.

Vishnu Garuda 

They lean toward one another, held by a shared quiet that feels both close and unguarded. Warm amber and soft grey settle across their surfaces, moving gently through layered patterns that feel like memories resting in place. The space between them carries a steady warmth, neither empty nor full, simply present. Nothing asks to be resolved. The moment feels suspended, as if time has slowed just enough to let something tender remain. As you stay with it, a sense of closeness lingers, subtle and enduring, like a calm that continues beyond the frame.

Calm Between Our Hearts

Blush Dusk

Of Mud Walls and Memories

Mixed Media -  Acrylic Ink Dry Pastel Pen Rice paper Silver Leaf

Eclipse III

Eclipse IV

Unspoken Feelings (Set of 2)

The scene holds itself in a quiet, shared rhythm. Four women gather without urgency, their gestures small, deliberate, as if time has softened around them. Hands rise and pause, not to speak, but to tend;toward one another, toward the animal nearby, toward what needs care in this moment. Blue and ash settle into the background, while warm skin tones keep the figures close to the surface. Nothing here insists on meaning. It feels more like a returning: to touch, to watch, to remain. The moment lingers, unfinished, asking only to be stayed with.    
    
    

In the Gentle Hours of Care 

Where Their Light Gathers

Vaishvanara - 25

Color gathers across the face like a memory slowly surfacing. From each angle, the form shifts, offering a new rhythm of light and shadow. Patterns settle into one another, then gently pull apart, as if holding many moments at once. The surface feels alive with small movements of tone and texture, yet the expression remains calm, inward. Nothing asks to be resolved here. The sculpture seems to pause within itself, carrying a quiet presence that stays long after you have moved on, like a thought that continues to echo softly.
    
    

Quiet Resonance

Fiberglass

    
   The moment feels caught between movement and pause. Cloth slips from the shoulder, not in haste, but in quiet acknowledgment of a change already unfolding. The presence between them seems to listen to the space where breath and distance meet. Light rests on skin, then drifts away, leaving a trace of warmth. Nothing asks to be resolved. The scene holds its own stillness, as if time has leaned back to watch. What remains is a sense of nearness without touch, a soft tension that lingers long after the moment has passed.
    

The Whisper of Space

Color rises and settles like a slow tide. Shapes meet, lean, and drift apart, never fully leaving one another. There is a sense of movement without direction, as if the painting is remembering how to arrive again and again. Warm earth tones rest beside softened blues, holding a quiet balance between weight and air. Nothing asks to be understood. The surface feels patient, layered with small shifts and pauses. Being with the work feels like coming back to something you never truly left, not as a destination, but as a gentle rhythm that continues, open and unfinished.

A Soft Return to Everything

The Divine Witness

Color moves here like a quiet melody, layered and gently unfolding across the surface. Warm reds and glowing yellows settle into cooler blues, each tone arriving as if it has been waiting its turn. The movement feels guided by a shared pulse, something soft and enduring beneath the surface. Nothing presses for clarity. The moment feels lived rather than declared, as though it has been returning to itself for a long time. You sense the artist lingering in this space, listening to what continues to resonate, even after the sound has faded.

We Were Always a Song

Color settles in slow layers, as if placed and then gently left to rest. Warm ochres and softened blues lean into one another, carrying the weight of time without needing to speak. The surface feels built from quiet decisions, each one held long enough to leave a trace. Nothing insists on being seen all at once. Forms suggest ground and sky, yet remain open, allowing the eye to wander and return. Being with the work feels like standing on something that has known many footsteps, still holding them, still offering a place to pause and listen.

The Earth Remembers

Drawn to the Same Sky

The Everyday Song

The colors arrive like a quiet tide, layered and steady, carrying warmth through the surface. Shapes rest against one another, then slowly release, as if guided by a rhythm felt more than seen. Blues move gently through fields of ochre and red, softening their weight and leaving space to breathe. Nothing feels resolved, yet nothing feels restless. The painting holds a kind of inward motion, as though it is listening to its own shifting. You sense the artist lingering here, not to capture a thought, but to remain with the way it continues to form.

Geometry of the Mind

Artist Basuki Dasgupta's mixed media works include Raw canvas, hard board, fevicol, acrylic emulsion, texture white, acrylic paint, he also uses paper-pulp sometimes.

Gossip in the Courtyard

Back When the Afternoons Lingered

Yellow Murmur

Blush and Glow

Unspoken Desires

She kneels into the warmth of the surface, as if the ground itself is listening. One hand steadies a small flame, the other rests in quiet prayer, though nothing here feels formal or finished. Yellow gathers softly around her, spreading like late afternoon light that has nowhere else to go. Another presence lingers just behind, close enough to feel but not interrupt. The gesture is simple, almost habitual, yet it holds a tenderness that asks for time. The light does not brighten the scene; it stays low, cupped, carried forward without urgency.

Light in Her Hands

Forms rise and settle as if guided by a quiet breath. Colors shift from cool blues to warm earth tones, touching lightly before moving on. Nothing feels anchored, yet everything seems gently held in place. The surface carries a sense of upward motion, though it never insists on direction. Layers soften into one another, leaving space for pause and return. Being with the work feels like standing between two currents, aware of movement on both sides, yet rooted in the stillness between them. It does not ask to be named. It remains open, quietly continuing its conversation.
    
    
    

Whispers Between Heaven and Earth

Sacred Notes, Silent Flowers

Sanctuary in Sisterhood

Whispers of the Wild

Bronze

Lord Padmanabha, a revered manifestation of Lord Vishnu, encapsulates the divine qualities of protection, creation, and infinite wisdom. The name Padmanabha means "Lotus-Naveled"—a reference to the lotus flower that emerges from Vishnu's navel, from which the universe itself was born. As the eternal protector and sustainer of all life, Lord Padmanabha symbolizes the divine force that governs the cosmos and sustains the cycle of creation, preservation, and dissolution.
    
    
    
    
    
    
    
    
    

Lord Padmanabha

The name "Vighnaharta" translates to "the one who removes obstacles" (Vighna meaning obstacle, and Harta meaning remover). His role in Hindu mythology is multifaceted, symbolizing not only the removal of physical or material hindrances but also spiritual obstacles that hinder growth, knowledge, and enlightenment. 
The story of Ganesha’s rise to prominence as Vighnaharta traces its roots to ancient Hindu texts, particularly the Puranas, where Ganesha is portrayed as the son of Lord Shiva and Goddess Parvati. One of the most popular narratives recounts how Ganesha was created by Parvati from clay to guard her chambers while she bathed. When Shiva, unaware of the new creation, tried to enter, Ganesha stopped him. In a moment of rage, Shiva severed Ganesha’s head. Upon realizing his mistake, Shiva, in an effort to restore balance, replaced Ganesha’s head with that of an elephant, symbolizing renewal and transformation. This act marked Ganesha as an eternal symbol of overcoming adversity and transformation through divine intervention.

Vighanharta Ganesha

Shipping Charges will be additional    
    
    
    
    
    
    
    
    
    

Vigneshwara 

Color stretches outward, then folds back into itself, as if the surface is learning how far it can go. Warm yellows drift beside cooler blues and greys, touching briefly before shifting again. Nothing holds still for long. The layers feel carried by motion rather than placed by design, each mark listening to the one before it. Being with the work feels like standing at the edge of something wide, where direction is sensed more than seen. It does not point to a horizon. It keeps opening, quietly, leaving space for whatever the eye is ready to find.
    

Infinite Vistas

The Last Egg

Pen and Ink, Acrylic, Dry Pastels, Collage 

They lean into the blue as if into water, moving slowly enough that the surface seems to hold them. One extends her palm with a small gathering of white petals; another stays just behind, close but unspoken. The basket waits below, patient, already full. Nothing feels arranged. The gesture appears mid-thought, neither beginning nor ending. Lines drift through the space like remembered paths, then dissolve back into color. What remains is a quiet offering that may never be placed. It asks only for attention, for the kind of looking that stays a moment longer, and then carries the stillness forward.
    
    

Moments of Reflection

Artist Amol Pawar's mixed media works include acrylic, charcoal, pencil, and, in some cases, he also uses golden leaf sometimes.    
    
    
    

Divine Radiance of Shakti

The Awakening Seed

Pen and Ink, Acrylic, Mixed Media, Dry Pastels

Seas of Serendipity

The teachings of Gautama Buddha, born over 2,500 years ago, resonate as timeless whispers of wisdom, inviting reflection on life’s impermanence, suffering, and the search for inner peace. Rooted in simplicity yet layered with profound depth, Buddha’s message arose from his journey—a prince who renounced privilege to seek the truth of existence under the Bodhi tree. 
Central to his teachings are the Four Noble Truths, which reveal the nature of suffering (dukkha), its origin, cessation, and the path leading beyond it. This path, known as the Eightfold Path, unfolds as a journey of moral, mental, and spiritual growth, where each step serves as a bridge between worldly entanglements and liberation. It is a vision of life, not bound by dogma but open to interpretation, offering glimpses of a way to transcend life’s chaos and find balance. 
Buddha’s philosophy does not seek to define existence but encourages an exploration of it. His emphasis on mindfulness and compassion reflects an understanding of humanity’s interconnectedness—an acknowledgment of the threads of suffering and joy that bind all living beings. His silence on metaphysical questions invites contemplation rather than answers, leaving space for each seeker to find their own truths. 
Through his teachings, Buddha does not preach escape but illuminates a way of seeing: a view where the fleeting nature of life becomes a canvas for presence, wisdom, and kindness. His legacy endures not as a set of rigid rules but as an open-ended narrative, where each individual might discern the echoes of their own quest for meaning.

The Sacred Teachings of Buddha

The image of Goddess Saraswati, seated serenely with a peacock at her side, unfolds a tableau rich with symbolism and storytelling. As the embodiment of wisdom, learning, and the arts, Saraswati is often depicted with her veena, the musical instrument she plays to weave the melodies of creation. The peacock, resplendent in its iridescent feathers, accompanies her as a silent yet evocative presence, a witness to her divine harmony.
 
The connection between Saraswati and the peacock finds its roots in mythology and iconography. The bird, with its celestial beauty, represents grace, beauty, and the rhythm of life—a reflection of Saraswati’s essence. Its feathers, fanned out in vibrant hues, seem to echo the spectrum of human creativity and knowledge that the goddess inspires. Yet, the peacock’s temperament, sometimes marked by vanity, reminds onlookers of the balance Saraswati teaches: that true wisdom arises from humility.
 
Ancient texts and art traditions have long celebrated this duo. In some tales, the peacock is said to represent the earth’s bountiful beauty, over which Saraswati’s wisdom reigns. In others, it is a metaphor for the soul’s yearning, enchanted by the divine melody of her veena. Across centuries, painters and sculptors have interpreted this motif in myriad ways, from intricate temple carvings in South India to vibrant Pahari miniatures, each adding layers to the relationship between the goddess and her feathered companion.

Saraswati's Serenade with Peacock

Limited Edition Serigraph printed in 8 colors on archival paper. This serigraph was published in an edition size of 125. This item will be shipped unframed, in a roll. The paper size is 40 x 26 inches. The print is signed by the artist and comes with a certificate of authenticity.
    
    
    

Mother by M.F Husain

Victoria Memorial Kolkata

  Limited Edition Serigraph printed in 37 colors on archival paper. This serigraph was published in an edition size of 125. This item will be shipped unframed, in a roll. The paper size is 40 x 30 inches, Image size is 35 x 25 inches. The print is signed by the artist and comes with a certificate of authenticity.
    
    
    
    
    
    
    
    

Ganesh - IV by Thota Vaikuntam

Limited Edition Serigraph printed in 35 colors on archival paper. This serigraph was published in an edition size of 125. This item will be shipped unframed, in a roll. The paper size is 40 x 30 inches, Image size is 32 x 19.5 inches. The print is signed by the artist and comes with a certificate of authenticity.
    
    
    
    
    

Krishna by Thota Vaikuntam

Limited Edition Serigraph printed in 31 colors on archival paper. This serigraph was published in an edition size of 125. This item will be shipped unframed, in a roll. The paper size is 40 x 30 inches, Image size is 35 x 25 inches. The print is signed by the artist and comes with a certificate of authenticity.    
    
    
    
    
    
    

Ganesh - III by Thota Vaikuntam

Limited Edition Serigraph printed in 16 colors on archival paper. This serigraph was published in an edition size of 125. This item will be shipped unframed, in a roll. The paper size is 40 x 30 inches, Image size is 31.75 x 21.75 inches. The print is signed by the artist and comes with a certificate of authenticity.
    
    
    
    
    
    

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