The contemplative nature of my work demands, necessity, considerable thought and introspection and a difinite direction. 

This is not to suggest that my artwork is schematic but far from it. 

ample evidence in the form of sizzling and dynamic brush-work are noticeable side by side of carefully worked out areas. 

The interplay of opposites toth in terms of geometry and the resultant shapes in the form of rectangles,

triangles cylindrical forms combined to give all works a structural strength which is the most important aspect of painting.